These are probably the most dreaded words someone could ever say.
Not because of the complexity behind the sentence or the meaning of each word.
The difficulty lies in the answer to this age-old question, and many questions
just like it. Honesty is sometimes brutal, and yet it is what it is. I guess
this allows one to wonder what the idea behind the truth is and what it really
means to tell the truth. Does the truth really set you free? Or does the truth
set you up? Ganeri focuses on this subject he refers to as "Dangerous
Truths" in The Concealed
Art of the Soul.
So to, prince, such speech as the
Tathagate knows to be untrue, incorrect, and unbeneficial, and which is also
unwelcome and disagreeable to others; such speech the Tathagathe does not
utter.
Such speech as the Tathagate knows to be
true and correct, but unbeneficial, and which is also unwelcome and
disagreeable to others; such speech the Tathagathe does not utter.
Such speech as the Tathagate knows to be
true, correct, and beneficial, and which is also unwelcome and disagreeable to
others; such speech the Tathagathe knows the time to use such speech.
Such speech as the Tathagate knows to be
untrue, incorrect, and unbeneficial, but which is welcome and agreeable to
others; such speech the Tathagathe does not utter.
Such speech as the Tathagate knows to be
true, correct, but unbeneficial, and which is also welcome and agreeable to
others; such speech the Tathagathe does not utter.
Such speech as the Tathagate knows to be
true, correct, and beneficial, and which is also welcome and agreeable to
others; the Tathagata knows the time to use such speech.
This passage comes from a lesson from the
Buddha himself. While looking upon this initially, it seems quite repetitive
and can be a little confusing. What is occurring however the explanation of the
truth in the relation to certain scenarios is. Notice that in only two areas
does the Buddha decide it’s a time to speak. Ganeri talks about this decision
in the 'Dangerous Truths’. Within the book, he also uses other parables, such
as the simile of the snake, as well as the simile of the raft to explain the
gravity of truth. To paraphrase both of these parables, there is a time and
place for the truth and if it is handled incorrectly the effect is almost certainly
negative. As stated in the reading above, it appears that the Buddha does not
waste time or truths on unnecessary causes.
Within this chapter of 'Dangerous Truths'
Ganeri poses the question does the Buddha lie? The answer to this question
however, depends on many factors. First, what is a lie? Is a lie considered the
complete absence of the truth or the altering of it? What about the omission?
Is the omission of the truth a lie or is it just that? Ganeri tells us that the
absence of the truth is not necessarily a negative thing when the absence of
truth is not beneficial to a specific situation (54). Ganeri refers to the
'value' of the truth as instrumental, meaning the need for it is not always
instant and may vary. With these implications, it would seem that if the
situation called for such action, then the truth will not be presented if it
has no overall benefit (55).
As I attempt to draw the correlation
between these Buddhist concepts, and my own life I, too agree with the idea
that the Buddha poses. We are taught by society to tell the truth and that it
is the only way to go to heaven, (or nirvana in the Buddhist practice) as well
as be a better person overall. As an individual who is known for being blunt, I
felt as if I am persecuted for the one thing that is so valued in our society
today. As I have matriculated through Spelman, I have realized that I do not
express myself as much as I once did, because I find myself considering the
feelings of others more important in some cases. Even though I may not agree
with this idea. I believe that the negative energy that comes out of an
unwelcomed truth is incapable of making impact. So in the future if I am asked
those awful 7 words (Does this ___ make me look fat), I know that my answer may
be no or even the omission of no and all other words.
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